Pirconi Producciones was established in July 2014 as a collective project aimed at improving the quality of cultural, artistic, and social development in the city of Bariloche. This collective, composed of educators, artists, and managers, operates in various educational, social, and organizational fields. Over the course of a decade, it has carried out 14 festivals, three circuits, and has collaborated on multiple artistic projects.
Nunca Jamás Producciones is dedicated to the creation, dissemination, and production of shows aimed at children. In collaboration with Teatro La Cochera (G. Catán), it develops the program "The School Goes to the Theater," where every year more than 10,000 students come to the theater to experience an educational and transformative experience. Additionally, it has the program "The Theater Goes to the School," which involves bringing performances to educational institutions to be staged in their spaces.
It was created in 1979 and today has a fruitful and recognized presence at both regional and national levels, with significant productions such as “Animas de día claro,” “Los indios estaban cabreros,” “La secreta obscenidad de cada día,” “El guiso caliente,” “Sueño de barrio,” among others. Its founders actively participated in the struggle for a National Theater Law, which was finally enacted in 1997.
KyuTeatro is an international company based in Buenos Aires, Argentina. Its productions focus on the exploration of alternative theatrical languages. Its members studied with the SCOT Company of Tadashi Suzuki (Japan) and/or with the SITI Company of Anne Bogart (New York).
Since the year 2000, it has been researching and working in different branches of theater, centered in Las Flores, Province of Buenos Aires. Its directors and founders are Paula Echalecu and Hernán Verteramo, trained at I.U.N.A. It annually hosts the International Theater Encounter Del Borde, which is attended by artistic groups from the country and abroad. In 2024, the 22nd edition will take place. It programs the Del Borde Host Invited Theater Cycle, featuring performances from other regions. It manages the Del Borde Theatrical Space, an independent theater venue.
Ezequiel Castillo is a young actor, author, and director with a background in social work who has been producing his own shows since 2015. The goal of our productions is to convey a message in each of our works; themes such as discrimination, bullying, the elderly, and poverty are the central focus of our performances, which are centered around Argentine folklore.
For over 19 years, Amichis Company has been dedicated to its own poetic vision, prioritizing the delivery of materials with various triggers for young audiences and their families, with seriousness, commitment, and dedication. All of these have been recognized by critics in the genre.
Expansión Teatral focuses on providing executive production and communication services for performances. It represents shows for children, teenagers, and adults, encompassing both comedy and drama. It has produced musical theater, text-based plays, an accessible performance for Deaf individuals (in sign language and Spanish), and a play about a transgender woman, among others. Additionally, it handles press and community management for performances, as well as photography and filming.
Eduardo Tato Pavlovsky's representative in Argentina and a graduate of the National School of Dramatic Art, where he obtained his degree as a National Actor. From 1999 to 2015, he worked with Pavlovsky as a personal secretary and assistant director on his plays, collaborating with Norman Briski in "Potestad" (2000), Daniel Veronese in "The Death of Marguerite Duras" (2002/3/4), Susy Evans in "Imperceptible" (2004), Elvira Onetto in "Largo Encuentro" (2006), and Martin Pavlovsky in "Meyerhold Variations" (2005/6/7).
Her artistic production explores contemporary dance and its relationship with the aerial movement of current stage circus.