It was created in 1979 and today has a fruitful and recognized presence at both regional and national levels, with significant productions such as “Animas de día claro,” “Los indios estaban cabreros,” “La secreta obscenidad de cada día,” “El guiso caliente,” “Sueño de barrio,” among others. Its founders actively participated in the struggle for a National Theater Law, which was finally enacted in 1997.
Since the year 2000, it has been researching and working in different branches of theater, centered in Las Flores, Province of Buenos Aires. Its directors and founders are Paula Echalecu and Hernán Verteramo, trained at I.U.N.A. It annually hosts the International Theater Encounter Del Borde, which is attended by artistic groups from the country and abroad. In 2024, the 22nd edition will take place. It programs the Del Borde Host Invited Theater Cycle, featuring performances from other regions. It manages the Del Borde Theatrical Space, an independent theater venue.
Ezequiel Castillo is a young actor, author, and director with a background in social work who has been producing his own shows since 2015. The goal of our productions is to convey a message in each of our works; themes such as discrimination, bullying, the elderly, and poverty are the central focus of our performances, which are centered around Argentine folklore.
A Spanish-Argentinian theater company formed by Fernando Del Gener, Jimena López, and Macarena Trigo. With nearly ten years of experience, it promotes cultural decentralization and maintains an itinerant project exploring unconventional spaces and new exhibition circuits in the province of Buenos Aires and across the country. Their works and projects have been selected by the MICA 2023, Gestionar Futuro 2022, and Impulsar II programs of the Ministry of Culture of the Nation.
The goal of the production company is to showcase theatrical works abroad, foster networks and exchanges with other companies from outside, and allow foreign companies to see the work being done here. This is why not only tours are organized, but also the independent production of two Ibero-American Festivals that take place in the region annually is promoted, which led to the creation of REI (Ibero-American Theater Network), composed of several countries from Ibero-America, and thus continue to promote greater development of the performing arts in countries across America and Europe.
Since its inception on May 7, 2012, Teatro El Popular has hosted performances and theatrical cycles featuring both classic and contemporary Argentine authors, with productions directed by both established directors and newcomers to the field. The programming consists of both original and external productions. The material is selected based on the needs of the theater's resident company in order to fulfill the foundational objectives of the venue. External productions are chosen by the programming team, valuing the work presented regardless of the group's or individual's experience.
INCUBA RAÍZ is an incubator and accelerator for projects linked to the cultural industries, focused on initiatives led by women and other marginalized groups. Its purpose is to promote the export of dance proposals, performances, and audiovisual productions to markets in Spain, Europe, and the United States. With the support of MECENAZGO CABA, IBERMÚSICAS Spain, and various Ibero-American funds, it offers an incubation program aimed at the circulation and internationalization of these projects.
TEATRO CASERO is a production, research, and training hub for theater, located in the Andean region of Parallel 42°, Patagonia, Argentina. Since its inception in 2014, it has produced more than 10 shows, many of which have received accolades, toured, and participated in national festivals and circuits.
They are independent creators, producers, and cultural managers. They work in the theater scene, exploring the body as a territory. They are driven by the desire to create from a feminine and dissenting perspective. They founded Lanotannegra Teatro in 2009, Lanotannegra Taller in 2011, and Solas, a unique federal collective scene for women and dissidents, in 2020, which currently takes place in different geographical locations. They train actresses and actors, lighting designers, and theater technicians.
T4 is a platform for the production and internationalization of projects, with a presence in Buenos Aires, Montpellier, and Madrid. This institution has its own spaces in both cities, facilitating the development and execution of various initiatives. Additionally, T4 fosters networks for circulation and creation at an international level, promoting collaboration among artists and professionals in the sector.